Affinity Designer is a vector or raster app. It’s a competitor to Adobe’s Illustrator and allows you to design various elements for print or digital publication.
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It’s part of the Affinity package of design tools made by Serif. Use it to do anything from making a business card to mock up an app. Affinity Designer is made for Mac iOS, Windows, and the iPad.
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Here, we’ve collected some of the best for everyone from beginners to more seasoned pros, a mix of video and written tutorials. It’s a great place to start for upskilling with your first steps in Affinity Designer!
Affinity Designer UI Overview
If you are new to Affinity Designer or just want an overview of the tool and what it looks like before making a purchase, this UI overview is the place to start. The video lasts less than 5 minutes and walks through the user interface, highlighting a few key elements of the software.
Affinity Designer: The File Menu
Another beginner tutorial, this video takes you through the file menu and looks at each option and how to use it. Rory Townsend, who made the video, also has similar video tutorials with each of the other menu options to help you really get a good hold on all the things you can do with Affinity Designer and where each individual tool or option is located in the menu.
Affinity Designer: 10 Basics
This is the ultimate getting started video guide for Affinity Designer, with all the basics in one video. You’ll learn how to get started with a new document, use premade and custom shapes, work with colors, see how layers work, combine shapes, work with vectors and the vector brush and pen tools, add text to a file, and save and export. It’s all in an easy to follow video and you can get all this information in less than 20 minutes. Plus, the video host Jesse Showalter, has plenty of energy so this tutorial anything but boring.
Affinity Designer Basic Logo Design
Affinity Designer is a tool that allows you to work with vector or raster images. That means you can create logos that can be scaled for any use with the software. In this tutorial, you walk through all the steps to create a simple vector logo using tools in Affinity Designer.
How to Create a Flat Vector Illustration in Affinity Designer
Because of vector functionality, Affinity Designer can also be used to create illustrations. This tutorial takes you through the steps to create a flat illustration, such as the example above, that you can apply to full-scale illustrations, logo, or icon design. The tutorial includes step-by-step instructions and plenty of screenshots that you can use to follow along on your own.
Using the Layers Panel
Using layers and groups is a powerful function that can help keep files organized and a lot easier to manage. Using them in Affinity Designer is fairly easy. Learn everything you need to know about layers and groups in this short video from the makers of the software.
How to Create an Icon in Affinity Designer
Icon design is something almost everyone comes across at some point. Affinity Designer is the perfect tool for creating all manner of icons. This tutorial takes you through the process step-by-step, and even includes some bonus information such as how to choose the right size when designing an icon and how to use various tools. Every step includes screenshots to make understanding easy.
Symbols in Affinity Designer
Using symbols as linked objects allow you to edit one element and it impacts everything in the design. (This is an awesome feature.) This tutorial shows you how to use symbols as intelligent linked objects for great global editing capability. (Learn this pro trick in less than 5 minutes!)
Using Text Effects
Text manipulations can be somewhat controversial. Purists say you should never mess with a typeface, but sometimes you have to use certain effects to make it work for your project. This Affinity Design tutorial shows you how to do just that. You’ll get an introduction to text effect manipulations in this easy to follow video.
How to Create Patterns in Affinity Designer
Patterns have a lot of practical use from website backgrounds to the main artwork for a poster or brochure. From subtle repeating shapes to something a little bolder, there are a few different ways to create a pattern in Affinity Designer. This tutorial explores three options. Note there are a lot of steps here, but the instructions and screenshots are easy to follow. Don’t let the depth of the lesson intimidate you.
Affinity Designer for iPad
The recording of a live session provides an overview of everything you need to use Affinity Designer effectively on an iPad. You’ll get an overview of tools and the software as well as creating specific things (a playing card, book cover, and poster) using tablet-based tools. The tutorial lasts over an hour and is comprehensive.
Pen Tool Masking in Affinity Designer
Use the Pen tool in Affinity Designer to create a dynamic mask of a selection of an image and apply modifications. This is a cool feature that can take some time to learn and this tutorial gives you a jumpstart.
Shapes Around a Curved Line in Affinity Designer
In less than 5 minutes, you can apply shapes to a curved line. You’ll learn how to create a brush from a shape and use that to apply to any shape or size of curved line. The tutorial explains this function clearly and shows how to apply this highly functional feature.
Advanced Color Features in Affinity Designer
You can create, save, and store colors and fills in Affinity Designer. This is great for palettes that will be reused so you don’t have to manually renter color mixes every time. Using these advanced color features is easy to learn if you know the tricks offered in this video tutorial.
Everything You Need to Know About Affinity Designer Brushes
Brushes can help speed workflows and allow you to create custom stroke styles. This tutorial shows you how to use the tool including basics of the brushes panel, how to set up vector or raster brushes, how to create your own brushes, how to install brush packs, and how to use brushes from Photoshop or Illustrator.
Affinity Designer Point Transform Tool
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Use the point transform tool to change the look of a geometric shape in Affinity Designer. This tool lets you change shapes and alters the look of objects.
Advanced Axonometric Grid Setup
An axonometric grid shows a three-dimensional object at a skewed angle so you can see multiple sides in the illustration. Affinity Designer allows you to set up an axonometric grid for projects. This tutorial takes you through creating the custom setup.
Affinity Designer Templates
We're covering the basics of Affinity Designer, helpful tutorials, comparisons with other apps, and the best templates and assets to use.
Tasked with delivering artwork to a professional printer? Then it’s worth understanding some print-specific concepts first.
CMYK
If you’re unfamiliar with this term, it stands for Cyan, Magenta, Yellow, and Key (Black). This is a Colour model used in documents intended for professional lithographic printing (aka four-colour process printing). In pro-printing workflows, you should always be thinking in terms of these four colours for professional print output.
Professional printing is dependent on supplied artwork being separable into these four colours. Your print partner will create a physical aluminium plate for each colour from your PDF; each colour plate is loaded onto a respective colour Printing Unit in an offset lithographic printer. For example, a Magenta plate will be rolled onto the cylinder in the Magenta Printing Unit.
As paper passes through each Printing Unit, the colours are added in turn.
Colour management
This is all about keeping your colours consistent and accurate across your workflow. If used properly, you’ll get no unwelcome colour surprises in your final output—results will appear as intended.
Colour management is achieved by using colour profiles installed across different physical devices (monitors, printers, etc.) and onto apps and even documents themselves.
Colour profiles
Colour profiles define colour spaces, i.e. ranges (or gamut) of colours that an app, document or specific device can interpret—all profiles are referenced against standardised ICC colours.
For professional printing, allocating the same CMYK profile to your document (on document setup) and to your final exported artwork you’ll have absolute colour control and fidelity during design and production. If you design in a much larger colour gamut (e.g. using an RGB profile such as ProPhoto RGB) than that of your export CMYK profile, you will get a mismatch between colour gamuts—some colours used in your document simply can’t be reproduced by using the smaller gamut CMYK export profile.
If you’ve ever had some artwork printed and were shocked by how dull it was, it’s likely due to a mismatch between profiles used in your workflow.
“Adopt CMYK colour profiles at document setup and export time to ensure predictable print results with no surprises.”
DPI
A Dots per Inch (DPI) setting sets the quality of your print output. For professional print quality, you should provide artwork at 300DPI or above. Your print partner will likely inform you of artwork of <300DPI as part of their pre-press procedures. Here’s a visual comparison of different DPI settings, showing quality tail off at lower DPI values.
Bleed
Bleed optionally expands your page area by a small amount to ensure design elements run right to the edge of the page after being physically trimmed. Otherwise, without bleed setup, designing to the actual page edge may reveal unwanted white paper on trimming.
Of course this only matters if page content is designed to extend across the page edge. If not, bleed can be ignored entirely.
Printer marks
Printer marks are made up of three distinct components: Registration Marks, Colour Bars, and Crop Marks. These are all added outside the page area on PDF export to help your print partner position plates, check colour, and aid accurate trimming post-press.
All sound confusing so far? If so, the good news is that only a few key settings need to be configured at Document Setup on most apps. In fact, Affinity apps make this easier by selecting a single Print (Press-Ready) preset which gathers up all the appropriate settings (CYMK, colour profile, DPI) ready for professional printing. Also, your final electronic print artwork can be set up using an export preset and handed off with pro printing in mind.
“If in doubt, always consult your print partner in advance of design. They may have their own preferred way of working or their printing equipment may necessitate specific print settings.”
Page size and orientation
A little obvious but vitally important, you must consider the page size you plan to print to before getting started. If client led, get this clearly stated in your project brief. Plus, consider page orientation, i.e. portrait or landscape. In document setup, document presets may suggest ISO page sizes (A4, A3, etc.) or US sizes (Letter, Legal, Tabloid, etc.). You may even be asked to work to a custom non-standard size.
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CMYK colour
In document setup, ‘CMYK’ is used as the colour mode, as opposed to working in RGB1. This is called an end-to-end CMYK workflow, as you’d expect to be using CMYK profiles at export. The CMYK colour mode is intended for professional litho printing only.
1 Projects created in RGB mode are perfect for presenting output on screen—think web design and electronic digital art. In reality, you can still get good results working in RGB mode but you’d need to ensure you export as CMYK.
Colour profiles
Apps offer a selection of industry standard ICC CMYK profiles for you to adopt. Your profile choice is governed by your local print standards which differ across the world.
For example, US litho printer partners favour ‘Coated GRACoL 2006’ while in Europe (including UK) it’s the ‘Coated FOGRA39’ profile that is popular; Japan differs again in using ‘Japan Color 2002 Newspaper’.
Your printer will guide you in your choice, but the above profiles should keep you on the right track.
“Post document setup, you should be choosing your colours from the CMYK sliders in your Colour Tab, Panel or Studio instead of from the HSL Colour wheel.”
Setting bleed
A bleed setting of 3mm on all edges of your document is considered reasonable, but check with your print partner for their recommended bleed setting. In Affinity Designer, you’ll find this setting in Document Setup.
Exporting
OK. So that takes care of document setup. The flipside of this is Exporting.
Soft proofing
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If you’re concerned that the final output may not look as you’d expect it, you can use soft proofing to get a preview of how your artwork would look before the export stage. You’ll be able to visually compare between different export profiles.
Export setup
What you now need to consider is the export setup of the final artwork needed before handing off to your print partner. Your print partner will typically take a high-resolution PDF file exported from your document. Again, a quick word with your print partner will help you decide how to approach PDF-specific settings.
Typically, PDF presets for professional printing may be available to you in your app. This can take away the headache of configuring individual settings.
PDF Settings
In Affinity products, the list of settings you should look out for when exporting your document are:
- PDF/X: Use any PDF/X compatibility setting.
- CMYK export profile: Either your document’s CMYK profile or an export-specific CMYK profile different to your document profile can be used.
Printer marks: Sets ‘off-page’ marks to help the printer align, colour check and accurately trim the print job:
- Registration Marks
- Colour Bars
- Crop Marks
- Bleed Marks
Bleed switch on: Having gone to the trouble of setting bleed, it’s a good idea to switch the feature on at print time.
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Conclusion
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This article should give you a better understanding of document setup for pro printing. In essence, setting the right document size and resolution, and then working in CMYK colours end-to-end is recommended.